| DVD and Film Mini-Reviews #67 |
[Jul. 4th, 2005|10:02 pm] |
Maya (Digvijay Singh, 2001) ****1/2 The first three-quarters of this film are oh-so enjoyable, being mainly about family life. The son and adopted daughter of a well-to-do rural Indian familyrun and play and adventure as kids all over the world do. The parents are parents we'd all recognize, stern and forgiving, exasperated and overjoyed by their children. The portrait of family life here is so sincere and real, that it transports you back to your own childhood. A testament that children and families are the same the world over. The last quarter of the film moves into darker territory. The young girl has just got her first period, and the parents arrange for the daughter to be brought into womanhood and acceptance by God by the local priests. Being accepted by God, in the context of this ritual, means being gang raped by four old priests. This ritual is banned in India, but in small rural towns it is still performed, and this film attempts to uncover the atrocity. It's not simply the act that disgusts us, but the fact that the child has had her childhood ripped from her, and nothing will ever be the same for her again. A powerful film, at once joyous and terrifying.
Lady Snowblood (Toshiya Fujita, 1973) ****1/2 Japanese female revenge. There was a lot of this during the 70s in Japan. One of the best was Female Convict Scorpion Jailhouse 41, but this surpasses even that film. This is based on manga, by the same author that created Lone Wolf and Cub. The daughter of a mother who died in childbirth, seeks revenge on those that wronged her mother and killed her father. Set in the Meiji period (around 1890). The work that was done on this release is quite commendable, besides an excellent subtitle translation, there are added supertitles that give you historical notes, to let you further understand the period. Tarantino cribbed a bit from this film (not too mention the title song) for Kill Bill. Storytelling is done in a variety of methods, including flashbacks and narration. Lots of action and cartoonish gore.
Owning Mahowny (Richard Kwietniowski, 2003) **** The branch manager of a Canadian bank uses loan applications to fund his gambling addiction. Philip Seymour Hoffman gives a brilliant performance as the gambling addict, portraying a singular obsessive focus. The strength of this film is that it doesn't glorify gambling in any way, it shows neither the highs nor the lows of the gambling addict, instead portraying the winning as no different than the losing. To complicate matters, an Atlantic City casino owner decides to capitalise on this particular addict, assisting him in any way to get to and from their casino, even helping transfer the stolen money across the border. One of the great moments of the film: when he's finally arrested (because there is never any doubt that he will be caught, even the character knows this) on a charge of theft over $200 -- he stole $10.2 million.
Happy Times (Yimou Zhang, 2001) ***1/2 A old bachelor seeks out a wife. The skinny ones always dump him, so this time he looks for a heavier woman. The one he finds is no better, an evil step-mom of a woman, who foists her blind step-daughter on the unsuspecting gentleman, then leaves him. The man has a good heart, and takes care of the girl as best he can, but he can't bring himself to let this girl know that he's poor and broke, so with the help of friends, he concocts scheme after scheme to give the girl a comfortable life. The humour is sometimes cartoony. And the story is way out of the ballpark of believability. And the ending was baffling. But I recently read a review that described the film as "a fable about compassion and the amount of deception sometimes needed to achieve it". In this context, the ending works.
Our Lady of the Assassins (Barbet Schroeder, 2000) ***1/2 Filmed on high-def video in the Columbian city of Medellin, Our Lady of the Assassins tells the tale of an author returned home, wanting to live his final days and die in his homeland. The Medellin he left is very different from the Medellin he returns to. He hooks up with several young gangsters for companionship, and although he's shocked at their disregard for human life, he exhibits little in the way of morality himself. In a sense, he urges their amoral behaviour, perhaps substituting the death of others for his own death. A disturbing, yet captivating film (once you get over the fact that it's filmed on video) about psychopathic behaviour.
Long Life, Happiness and Prosperity (Mina Shum, 2002) *** A charming, if one-dimensional, little film about Chinese Canadians on Vancouver's east side (near old Chinatown). Mindy wants to help her Mum, so she starts using Taoist charms, but without any skill they go awry. A bad luck deflection charm is deflected onto the wrong person, a lottery winning charm falls onto the wrong person, and a love potion goes totally awry. In this sweet comedy these three stories eventually come together in a sort, and all is worked out amicably. Not quite sure if the Chinese community is quite this superstitious, but since the writer/director is Chinese, I'll take her word for it. Either that, or she's furthering some misconceptions for story's sake. |
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